Thursday, October 22, 2026

Book Review - When The Stones Held by David E Owen



When The Stones Held is an unforgettable historical novel inspired by the true story of William Edwards, the self taught Welsh stonemason who built one of the greatest bridges of the eighteenth century.

Born into poverty in the remote valleys of South Wales, William grows up in a world shaped by hard labour, dangerous rivers, and communities struggling to survive. Education is rare. Opportunity is rarer still. Yet from childhood, William becomes fascinated by stone, by balance, and by the dream of building something that will outlive him.

As the coal trade begins transforming Wales and merchants demand safer routes through the valleys, William sets himself an impossible task, to build a bridge across the fierce River Taff where others have failed. Floods destroy his work. Rivals mock him. Powerful men try to break him. Each collapse threatens his reputation, his livelihood, and the people he loves.

Set against the harsh beauty of eighteenth century Wales, When The Stones Held is a story of ambition, resilience, love, grief, and determination. It brings to life the people, language, and struggles of a forgotten world while telling the remarkable true story behind the bridge that gave birth to the town of Pontypridd.

Perfect for readers who enjoy rich historical fiction, Welsh history, and stories of ordinary people achieving extraordinary things.


Amazon

Read with #KindleUnlimited


Review


I wasn't sure how much I was going to enjoy When the Stones Held when I first picked it up. I enjoy historical fiction, but a novel about a man building bridges wasn't exactly shouting excitement at me. It didn't take very long for William Edwards to change my mind.

I really liked following William from childhood rather than meeting him when he was already an accomplished builder. His fascination with stone starts when he is young, and Mr Morgan plays such an important part in encouraging him. He teaches William rather than simply telling him what to do, and I loved watching William gradually begin to understand why one arrangement of stones works while another falls apart.

William is also incredibly stubborn. Sometimes this is exactly what he needs to be, and at other times I wanted to tell him that perhaps he could listen to the people around him for five minutes! But it made him feel like a real person rather than a historical figure who was always destined to achieve something remarkable.

I particularly enjoyed his early experiments with arches. There is a moment when William finally manages to build one that holds his weight, then gets a sheep to cross it, and his reaction afterwards is wonderful. He has been laughed at and has failed repeatedly, so you really feel what that small success means to him. 

There is plenty going on away from the stonework too. William's relationships with Mr Morgan, Mary and Elen give the story much of its heart, while the Prices gave me someone to be thoroughly irritated with. Ewan starts making William's life miserable when they are children, and that resentment doesn't simply disappear as they grow older.

What surprised me most was how tense some of the building scenes became. Once William begins taking on much larger bridges, I found myself looking suspiciously at every storm cloud and wondering what was going to go wrong next. Considering I began the book thinking bridge building might be the part that bored me, that amused me enormously.

By the end, I felt as though I had watched William grow from a little boy playing with stones into the man behind an extraordinary piece of Welsh history. I knew nothing about him before reading this book, but I certainly won't forget him now.

And I will never look at a stone bridge in quite the same way again.



David E. Owen


After decades spent teaching around the world—from the UK to the Caribbean, Africa, and the Middle East—I came to writing fiction later in life. I started with fantasy before finding my voice in fast-paced, real-world spy thrillers. My stories are grounded in current issues like corruption, gender bias, and power, but always emphasise pace, surprise, and character-driven tension.

I’ve visited over 80 countries, worked as a radio host in Abu Dhabi, directed Shakespeare for African audiences in the bush, and even survived a flash flood in Mali and an armed hold-up. I was arrested for drug-smuggling in Nigeria but was eventually released when I refused to pay off the police captain, and I was boat-wrecked alone on a desert island in the Arabian Sea (but no tree) and rescued through a police search. Now retired from teaching, I split my time between writing, photography, and trying to get fit (thanks to a stubborn rowing machine). My latest novel, Hate Machine, tackles misogyny and gender radicalisation — not typical thriller territory, but I like a challenge.

Social Media Links:







Wednesday, September 23, 2026

The Midnight Carousel (A Forest Falls Frolic) By Hanna Park (Interview & Review)

Belle Stanhope had plans. Good plans. Practical plans. 

None of them involved Hudson Carver.

The florist with the crooked smile had become a distraction she neither wanted nor could avoid. Which was inconvenient, considering the Pretty River Inn and the upcoming bachelor auction left little room for distractions.

For years, Hudson had been content with the life he'd built beneath Christmas Mountain. His flower shop, his workshop, and the friends who had become family were more than he'd ever expected. Then he met Belle Stanhope.

As Christmas approaches, the carousel's calliope sings off-key, and the old magic he'd left behind stirs once more. The life he'd built and the life he wants are no longer the same.

In Forest Falls, wishes have a way of finding the people who need them most.

✨Amazon

✨ Author Interview 

What inspired you to write this story, and where did the original idea come from? 

I wanted to create a small-town Christmas series, but with a little more magic tucked beneath the snow. The original inspiration for Forest Falls actually came from the Scenic Caves near Collingwood, Ontario. Walking through the caves, crevices and rock formations, I loved the idea that those passageways might lead somewhere completely unexpected. They became the inspiration for the hidden elven world beneath Christmas Mountain.

From there, I let my love of whimsy and fae folklore take over. Forest Falls grew around the mountain—a town where magical characters can live alongside everyone else, a steam train winds through the snow, and an old carousel in Riverside Park might be far more than it appears. The carousel was already part of the magic in Mary Christmas, the first Forest Falls Frolic, but with The Midnight Carousel, I wanted to discover what other secrets it might be keeping.

How would you describe your book in a sentence to readers who haven’t discovered it yet? 

The Midnight Carousel is a romantic Christmas fantasy about unexpected love, hidden magic, and the choices we make when the life we’ve built collides with the one we thought we’d left behind.

Was there anything you needed to research or learn while writing the book, and did you discover anything that surprised you along the way? 

This story didn’t require the kind of intensive research some of my other books have, but I did spend time looking into vintage carousels, their history and the craftsmanship behind those beautifully carved horses. What surprised me most was how individual the horses could be, each with its own expression and character.

The carousel itself was already part of the magic of Forest Falls. It first appeared in Mary Christmas, along with some of the other rather unusual characters who call the town home. For The Midnight Carousel, I wanted to explore that magic more deeply and discover what other secrets the carousel might be keeping. That’s where research gave way to imagination—and Hudson’s story began to take shape.

What was most important to you when creating the world and atmosphere of the story? 

Originality was really important to me. There are so many wonderful small-town Christmas stories, so I wanted Forest Falls to have its own personality rather than feel like a version of somewhere readers had already been. I wanted characters who were a little unexpected, with their own histories, quirks and secrets—not simply the same familiar magical characters in a different setting.

That carried over into the town itself. Forest Falls has all the things I love about Christmas—snow, lights, an old inn, a steam train and a carousel—but there is something slightly unusual beneath all of it. Magic is simply part of the town, and not everyone walking down Main Street is necessarily what they appear to be. I wanted it to feel whimsical and inviting, but also leave readers wondering what else might be hiding there.

Which character was the most interesting or challenging for you to write, and why? 

Belle was probably the most fun for me to write. She’s practical, independent and quite certain she knows what she wants—or at least she thinks she does. I enjoyed putting her in situations that challenged that certainty, especially when Hudson and the rather unpredictable magic of Forest Falls kept getting in the way of her carefully made plans.

She also has a dry sense of humour and isn’t easily swept off her feet, which made the relationship between her and Hudson especially fun to write. The more determined she was to remain sensible, the more I enjoyed making her life decidedly less so.

Did the story or any of the characters evolve in unexpected ways while you were writing? 

Absolutely. Belle and Hudson frustrated me because they took far longer to get together than I intended! I kept waiting for them to cooperate and give me a little more spice, but apparently they had other ideas. Their relationship developed much more slowly and naturally than I’d originally planned, and in the end, I decided not to force it. The tension between them became part of the fun of the story. Sometimes your characters have their own ideas about how their romance should unfold—and these two definitely did.

What does your writing process look like — are you a planner, or do you prefer to see where the story takes you?

I’m a full-fledged pantser, although I always start out pretending I have a plan! I usually know where the story begins, have a general idea of where I want it to end, and have a few key moments in mind along the way. Then I start writing, and everything is subject to change.

Characters develop differently than I expected, new ideas appear, and sometimes the story simply heads in a direction I hadn’t considered. I’m quite happy to change things on the fly if the story feels better for it. For me, part of the fun of writing is not knowing absolutely everything that’s going to happen before I get there.

What do you hope readers will feel or take away after finishing your book? 

I hope readers finish The Midnight Carousel believing that a little magic can be found almost anywhere, if we’re willing to look for it. Forest Falls is filled with magical characters and impossible things, but beneath all of that is the idea that magic can also be found in unexpected people, second chances and the places that somehow feel like home. Mostly, I hope readers close the book smiling—and perhaps look at the next old carousel they pass a little differently.

If you could step into the world of your novel for a day, where would you go and what would you most want to experience? 

I’d definitely want to cross the threshold into Christmas Town. I’d love to see it for myself, meet the elves and find out just how much of Forest Falls they’ve been quietly influencing all along. And I’d spend some time with Aredhel. I’m not entirely sure even I know everything that goes on inside her head, and I created her! She knows far more than she ever lets on—and I have a feeling she may have a story of her own to tell very soon.

Just for fun — if your book were adapted for the screen, who would you love to see in the cast? 🎬

I think Zooey Deschanel would make a wonderful Belle. She has that slightly quirky, dry sense of humour I associate with her, while still being able to play someone very grounded. Hudson is harder! Maybe Theo James—he has the charm, but also that hint of mystery that would make you wonder whether Hudson is quite what he seems.

And, of course, whoever played them would have to be willing to share the screen with a magical carousel. I’m afraid that part is non-negotiable.


✨ Review

I knew The Midnight Carousel was going to be a Christmas romance, but I didn't realise quite how much
fun I was going to have watching Belle and Hudson make such hard work of falling in love.

Belle is perfectly capable of dealing with a busy hotel, demanding guests and whatever else the day throws at her. Put Hudson in front of her, however, and things have a habit of going wrong. Hudson isn't much better. He is clearly smitten, but actually doing something useful about it seems to be another matter entirely. I spent a good part of this book thinking, will one of you PLEASE just kiss the other one!

I liked that Hanna Park didn't hurry them. By the time things do start moving in the right direction, I had been waiting for it for so long that it felt completely deserved. There are some genuinely funny scenes between them too, which stopped the romance becoming too sweet.

Then there is everything happening around them. Forest Falls at Christmas is busy, snowy and slightly bonkers, and gradually some very peculiar things begin creeping into what initially appears to be an ordinary festive town. I won't explain any of them because I think they are much better encountered without warning.

I have to give a mention to the bachelor auction as well. I am saying absolutely nothing about what happens, but it was probably the scene I enjoyed most in the entire book. Belle certainly surprised me!

I finished the book wanting to know where Hanna got the idea for Forest Falls and all the strange magic hidden beneath this little Christmas town. Luckily for me, I had an interview with her coming up, so I got to ask! (see above)! 

By the end I had become ridiculously invested in Belle and Hudson. This was funny, romantic and wonderfully Christmassy, and I thoroughly enjoyed myself.

Hanna Park

I began my writing career in the pre-dawn of a winter morning while my husband snored like a train. We could call my husband the catalyst. If it weren’t for him, I would never have gone to the kitchen to make a pot of coffee, feed the cat, and sit on the loveseat in front of the fire. It was there, in those moments of wondrous quiet, that I did something I had never thought possible. I opened my laptop, and while the coffee went cold, I wrote a story. My husband had no idea that these sojourns to the loveseat in front of the fire would become a daily occurrence, that writing would become an obsession, but the cat knew. She knows everything.

I write stories that make you laugh, make you cry, and make you love. Thank you, friends, for reading!

In the beginning, there was an empty page.

I am a writer who lives in Muskoka, Canada, with a husband who snores, a hungry cat, and an almost perfect canine––he’s an adorable little shit.

Connect with Hanna:



Friday, August 14, 2026

Queen Anna (Stuart Queens Trilogy) by Tony Riches



A crown won in the eye of a storm. A queen who refuses to be broken...

Princess Anna of Denmark sails for Scotland to marry King James VI, but storms ravage her fleet, igniting a deadly obsession with witchcraft in her new home. Arriving in a strange and paranoid court, Anna finds her new husband’s bed is a treacherous place.

Surrounded by whispering courtiers and shifting alliances, Anna refuses to remain a passive pawn. When the court takes her children to raise them away from her, the young queen draws her line in the sand. 

From the windswept castles of Scotland to the glittering, dangerous English court, Anna is restored to her rightful place in history.


Buy Link:
This title is available to read on #KindleUnlimited.

Tony Riches


Tony Riches is a full-time UK author of historical fiction. He lives with his wife in Pembrokeshire, West Wales and is a specialist in the lives of the early Tudors. As well as his Elizabethan series, Tony’s historical fiction novels include the best-selling Tudor trilogy and his Elizabethan series. For more information about Tony’s books please visit his website tonyriches.com and his blog, The Writing Desk and find him on  Facebook, Instagram, Bluesky and Twitter @tonyriches.



Sunday, August 2, 2026

Dragonslayer's Valkyrie: The Legend of Sigurd and Brynhildr by Jennifer Ivy Walker



Last of the Völsung line of kings descended from Odin, Sigurd is one of the elite Sjórúlfar—the fearsome Sea Wolves of southern Norway. Endowed with the divine blood of the wolf, he seeks glory at the Sólhjarta Summer Solstice Tournament to avenge his father’s death.


Brynhildr, daughter of the Raven King, is the Sun Falcon shieldmaiden and gifted seeress who has glimpsed her fate as a Valkyrie in a seiðr vision. When her father decrees she must wed the tournament’s champion, she summons Freyja for guidance—only to learn her future is bound to Sigurd.


As the Norns tighten the intricate threads of fate, Brynhildr must guide Sigurd toward his destiny as a dragonslayer—by defying the web of wyrd and incurring the wrath of Odin.


Book Trailer:




Buy Link:
This title is available to read on #KindleUnlimited.

Jennifer Ivy Walker


Jennifer Ivy Walker has an MA in French literature and is a former high school teacher and professor of French at a state college in Florida.  Her novels encompass a love for French language, literature, history, and culture, incorporating her lifelong study, summers abroad, and many trips to France.

Social Media Links:
Website • X • Facebook • Instagram • LinkedIn • Bluesky • Pinterest • YouTube • BookBub • TikTok • Amazon Author Page • Goodreads 





Sunday, July 26, 2026

The Spirit of the Times by Justin Newland



From a land of milk,
And a Road of Silk,
To a ring of roses,
And a dance of posies,
Comes the tale of the spirit of the times!

In fourteenth-century Central Asia, Karia is a young woman living under the yoke of Mongol occupation. But she’s different. She’s a fighter with supernatural powers. She could use them to keep the Black Plague at bay and solve the mystery of the purple skies at dawn – if only she could overcome her self-doubt.

Travelling in caravans on the Silk Road, she faces dangers seen and unseen – from sandstorms and slave traders to the desert djinn and folk who believe she’s a witch. She fears losing Abi, her little cousin, who’s fascinated by roses and the dance of the Whirling Dervishes of Bukhara.

When Karia falls in love with an English sailor fleeing the Knights Hospitaller, they sail to England with Abi to unravel the meaning of the purple skies, a dance, a posy tree, and a ring of roses.

The Spirit of the Times is part history, part fiction and part speculation: on the origin of disease; the power of innocence; the unfortunate aspects of custom and dogma; and humanity’s ability to respond to the governing influence or spirit of the times.

What is Writing?


The Spirit of the Times is my seventh novel. Six of them are historical fiction, and one is a novel. I’ve written about four other fiction books which are sitting in the desk drawer. All told in my lifetime, I’ve written millions of words. That’s a lot of words and a lot of writing. What is this activity that takes up so much time in our lives, that fascinates us and that has endured since the first word was written?
Writing is something most of us do every day of our childhood and adult lives, from a school essay to a shopping list, a signature to a diary entry, a text message to a whole novel, we do it all the time.
But what is writing?
Given it’s such a common, ubiquitous activity, you’d think we know.
One dictionary defined writing as ‘the act or process of producing and recording words’. Another defined it as ‘the activity of writing.’
Both are vague and circular. They define it by referring it back to itself. Writing is... err... writing. Perhaps they don’t know either. Perhaps it is a mystery.
Writing, or at least the written word, is a means of communication. In ancient times, words were sacred, and could only be written by those endowed with the power and authority to do so - the priests and scribes. The written word was a hieroglyph, which literally means sacred word. In the New Testament, the opening of the Book of John testifies to that fact. ‘In the beginning was the word, and the word was with
God, and the word was God.’
Then there’s the strange story related in the Book
of Daniel 5:5, where, during the Feast of
Belshazzar (Rembrandt’s painting is shown here):
‘In the same hour came forth fingers of a man's
hand, and wrote over against the candlestick upon
the plaster of the wall of the king's palace: and the
king saw the part of the hand that wrote.’ Where
did the fingers come from? How did they know
how to write, and in Aramaic, a script with which
the King was familiar? And where on earth did the
writing come from? Now, if we knew the answer to that one.
It’s said that the pen is mightier than the sword. And words written by the pen certainly are. When we string a few of them together and make a sentence, and string a few of those together and make a paragraph, and so on, what is going on? What is writing? Is it a threading or joining together of multiple parts of similar frequency?
Authors like to play with words. Change the letters around this way and that to see what they reveal about the inner meaning of a word. Look at the word ‘write’. It’s ‘w-rite’. Perhaps the core of the word ‘write’ is that it’s a rite, which itself is defined as a religious ceremony. This takes us back to the original notion that words are sacred in origin. But why? Is it because of where they come from?

The famous Rosetta stone is shown here. A French philologist, Jean-Francois Champollion, used it to help him decipher ancient Egyptian hieroglyphs. He did this in 1822. But why did it take so long?
The reason was because ancient Egyptian scribes omitted the vowels from the written word. Strange, but true. None of the hieroglyphs on the walls of the tombs and in the spells contain a single vowel. Now, why would they do that? Was it because, somehow in those days, just like the hand that wrote on the wall, the written word was full of mysteries and, in this case, the power of the word was held in the vowel, which, for safety reasons, was best omitted from any writing? Here’s another approach.
There’s a saying that ‘It’s not what wrote the book, it’s
what was out of balance in the author that wrote the book.’ This introduces the idea that writing has a cathartic element to it. Catharsis is defined as the process of releasing strong or repressed emotions. More generally, catharsis is a rebalancing of what is out of balance in a person. Perhaps that’s why so many people are writing books these days.
A classic example from modern times is that of the author James Clavell. He was imprisoned in a Japanese prisoner of war camp during the Second World War. You’d think that, following the severe deprivation he suffered at the hands of his captors over so many years, that the Japanese would be the very last people he’d write about. But no. Once the war ended, he wrote several novels featuring Japanese history, notably Shogun and Tai-Pan. This is the power of writing as catharsis.
Here's another approach to the write - or is it the rite? Up until 1948 in the UK, criminals convicted of serious offences were sentenced to penal servitude or hard labour, meaning they toiled every day building roads, breaking rocks, and doing heavy lifting. It was understood that the criminal had broken the law because of something out of balance in them. Hence the original motive behind the sentence was cathartic, whose purpose was to use up or tire by intense and prolonged physical activity that which was out of balance in them. In a sense, the hard labour was a rite, which is curious because ‘rite’ is an anagram of ‘tire’.
Finally, is writing a kind of mumming? Mumming is the art of re-enactment of a historical period or incident. It’s a kind of role-play evoking olden times. Does writing do the same, or is it a media through which a mumming of what has been before, and what is ‘now’, can happen - a notion that particularly applies to the writing of historical fiction? Does it evoke, through the written word, the ideas, the ambiance of the times being written about?
So, when you write, when you join the letters and the words, what are you doing? What’s the inner story of writing? Is it a rite? Is it a mumming? Is it a joining of multiple aspects into a unity? Is it a managing of the eternal in the now?
You’re the writer. You decide.
Justin Newland 9th July 2026





Buy Links:







Music that inspired the novel, and which beautifully evokes the Steppes of Central Asia:


Justin Newland


Justin Newland's novels represent an innovative blend of genres, from historical adventure to supernatural thriller and magical realism. 
Undeterred by the award of a doctorate in mathematics from Imperial College, London, he conceived his debut novel, The Genes of Isis (Matador, 2018), an epic fantasy set under Ancient Egyptian skies. Next came The Old Dragon’s Head (Matador, 2018), set in Ming Dynasty China in the shadows of the Great Wall.

The Coronation (Matador, 2019) features the Great Enlightenment and speculates on the genesis of the most important event in the modern world – the Industrial Revolution. The Abdication (Matador, 2021) is a mystery thriller in which a young woman confronts her faith in a higher purpose and what it means to abdicate that faith.

At this point in his writing career, after four self-published books, Justin was offered a part-funded contract with the Book Guild.

The Mark of the Salamander (Book Guild, 2023) is the first in a two-book ‘The Island of Angels’ series. It tells the epic tale of England’s coming of age during the Elizabethan era. The second in the series, The Midnight of Eights (Book Guild, 2024), charts the uncanny coincidences of time and tide that culminated in the repulse of the Spanish Armada.

His latest novel, The Spirit of the Times (Matador, 2026), is to be published in July. It tells the story of a young Kyrgyz woman’s journey westwards along the Silk Road. With purple skies at dawn, and a supporting cast of Genghis Khan, the Black Plague, a perplexing rhyme, a ring of roses, it explores the greatest mystery of all – the spirit of the times. 
Justin’s enduring passion is to explore the origins of our current time. This prompted a broad research into what we’ve inherited from history – encompassing Egypt, China, Prussia and Tudor England.

He also writes entertaining talks which he gives to the WI, U3A, Probus, Rotary and local historical associations. Please visit his website for a current list of the talks.

Alongside the talks, Justin promotes his work with regular book signings at TG Jones (ex. WH Smith) high street stores, selling over 3,500 books since 2019. He has sponsored over 40 UK and US blog tours, given frequent radio interviews and penned many guest posts.

His current book signing motto is: Enjoy, Imagine, Discover.

As a member of the Society of Authors, he has Public and Products Liability Insurance.

Born in Essex, England, three days before the end of 1953, he lives with his lady in plain sight of the Mendip Hills in Somerset, England.


Connect with Justin:
Website • Facebook • Instagram
Amazon Author Page • BookBub • Goodreads



Book Review - When The Stones Held by David E Owen

When The Stones Held is an unforgettable historical novel inspired by the true story of William Edwards, the self taught Welsh stonemason w...