Thursday, April 30, 2026
Yarde Book Promotions "Blog Tour" Another Soul Saved by John Anthony Miller
Tuesday, April 28, 2026
The Wars of Now - a poem.
The Wars of Now
Tuesday, April 14, 2026
Yarde Book Promotions "Blog Tour" A Plethora of Phantoms (Spirited Encounters Book 2) by Penny Hampson
I went into A Plethora of Phantoms expecting a story centred on a haunted house, something contained within its walls and tied neatly to its past. What I didn’t expect was how much the narrative would extend beyond that, or how naturally it would balance its mystery with a relationship that develops alongside it, shaped by the same uncertainty and pull.
At first, everything feels grounded in Lanyon Park. Freddie returns to a space that is already heavy with expectation, stepping into a role that seems defined long before he fully understands it. The house feels lived in, familiar, and structured by routine. It gives the impression of stability, of something that has endured. But even within that, there is a quiet suggestion that not everything belongs entirely to the present.
Because the story does not stay contained for long.
What begins as something localised gradually widens, drawing Freddie—and by extension the reader—into a trail of connections that lead elsewhere. The investigation takes them beyond the house, into other locations and histories that begin to piece together a much larger picture. The trip to Bath in particular stands out, not just as a change of setting, but as a shift in understanding. It reinforces the idea that what is happening cannot be explained by the house alone, and that the past has left traces in more than one place.
The mystery is not presented as something waiting to be solved in a single moment, but as something that has to be followed carefully, step by step. Objects, records, and fragments of information all play a part, each one adding a little more clarity without ever giving the full answer too quickly. The dressing case becomes central in this process, acting as a thread that connects different parts of the story together. It is not just significant in itself, but in what it leads to, guiding the characters towards something they would not otherwise have uncovered.
Alongside this, the haunting continues to evolve. It does not remain static or predictable, and it becomes clear that what is being encountered is more complicated than a single lingering presence. There are moments where the atmosphere feels almost controlled, and others where it becomes far more immediate and difficult to ignore. That variation keeps the tension consistent, even as the focus of the story begins to shift outward.
Running parallel to all of this is the relationship between Freddie and Marcus, which develops within the same sense of movement and uncertainty. It doesn’t unfold separately from the mystery, but alongside it, shaped by everything they are uncovering. There is a gradual shift from distance to trust, from hesitation to something more certain, and that progression feels tied to the story as a whole rather than existing outside it. Their connection never feels easy or untouched by what is happening around them, which gives it a quiet intensity that builds rather than rushes.
As the narrative moves towards its conclusion, the separate strands begin to draw together. What initially feels scattered—locations, histories, unexplained events—starts to align, revealing something more cohesive beneath it all. The answers do not arrive abruptly, but through accumulation, allowing the resolution to feel earned rather than imposed.
By the end, there is a sense not just of explanation, but of completion. The past is not erased, but understood, and that understanding allows for a kind of stillness to return. At the same time, the relationship at the centre of the story settles into something more certain, shaped by everything it has had to withstand.
A Plethora of Phantoms begins as a story about a place, but becomes something much broader—a narrative where mystery and connection develop side by side, each giving weight to the other.
Penny Hampson writes mysteries, and because she has a passion for history, you’ll find her stories also reflect that. A Gentleman’s Promise, a traditional Regency romance, was Penny’s debut novel and the first of her Gentlemen Series. There are now four novels in the series, with the latest, An Adventurer’s Contract, released in November 2024. Penny also enjoys writing contemporary mysteries with a hint of the paranormal, because where do ghosts come from but the past? The Unquiet Spirit, a spooky mystery/romance set in Cornwall, is the first in the Spirited Encounters Series. Look out for A Plethora of Phantoms coming soon.
Penny lives with her family in Oxfordshire, and when she is not writing, she enjoys reading, walking, swimming, and the odd gin and tonic (not all at the same time).
If you’ve enjoyed any of Penny’s books please leave a review on Amazon, Bookbub, or Goodreads, and let other readers know!
Wednesday, April 1, 2026
Yarde Book Promotions "Blog Tour" The Scald Crow (Beyond the Faerie Rath Book 1) by Hanna Park
Calla left her life behind, haunted by a curse she cannot control. She seeks refuge in the land of a thousand hellos, Ireland, for a fresh start—a place where no one knows who or what she is.
Colm fled from Clonmara seven long years ago, but now it’s his father’s birthday, and the clan has gathered to celebrate the ould one. Each day brings back the memories that ruined him.
Saoirse dwells in the shadows of a lost love, unwilling to move on and unable to forget. The crystals say one thing, but the cold, hard truth tells another.
Ciarán walked away from the woman he loved for the fun, for the craic. He didn’t realize that one rash decision would impact the lives of so many, least of all his own.
Four broken hearts, brought together by the thread of love.
Publisher: Baisong Press
Print Length: 260 Pages
Genre: Fantasy / Romance
Review
I went into The Scald Crow expecting something steeped in Irish folklore—a touch of fae magic, a hint of romance, and a story shaped by place and tradition. What I didn’t expect was how deeply those elements would intertwine, or how quietly the story would shift from something grounded into something far more layered, where love, loss, and survival all carry equal weight.
At first, the story feels almost simple. Calla arrives in Ireland after inheriting a property from a family member she has never met, looking for a way out of a life that has never quite worked for her. There’s something steady in that beginning—new place, new start, the possibility of something different. But even in those early chapters, there’s a sense that the land itself holds more than it’s letting on.
Because beneath that familiarity, something else is already present.
The folklore isn’t decorative here—it’s woven into everything. It sits in the language people use, in the things they avoid saying, in the way certain names carry weight when spoken aloud. There’s a strong sense that the land belongs to something older, and that people live alongside it rather than in control of it. Traditions and customs don’t just add colour to the story; they feel important, almost protective, grounding the characters in something that has existed long before them.
And then there’s the romance.
Calla and Colm’s connection doesn’t unfold gently. It arrives with a kind of intensity that feels instinctive rather than chosen. Their relationship moves between dream and reality, blurring the line between the two in a way that makes everything feel heightened. There are moments of tenderness, but they’re often edged with something sharper—desire that builds too quickly, interactions that feel almost overwhelming in their urgency. It’s not a comforting romance; it’s one that feels consuming, unpredictable, and at times slightly dangerous.
That sense of danger never fully leaves.
Because even as the relationship deepens, the story keeps reminding you that this world isn’t entirely safe. There’s a constant tension between what feels human and what feels just out of reach, and that tension runs through every interaction. Love here doesn’t exist separately from risk—it sits alongside it, shaped by it.
Running parallel to all of this is Ciarán’s story, which brings a quieter, more unsettling kind of weight. His survival is not freedom. He exists on the edge of the human world—able to be present, to see, to remain close—but unable to truly interact. That distance gives his storyline a haunting quality, as though he is caught between states, neither fully gone nor fully there. What keeps him anchored are the small, familiar things: customs, habits, the rhythms of life that still belong to him, even if he cannot fully belong to them anymore.
Saoirse’s perspective adds another emotional layer again. Where others are moving forward—whether willingly or not—she feels caught in what has already been lost. Her grief is still, heavy, and unresolved, and it lingers in a way that contrasts sharply with the intensity of the other storylines. It gives the novel a quieter kind of heartbreak, one that doesn’t need dramatic moments to be felt.
What makes the book work so well is how all of this exists together without being forced. The folklore, the romance, and the emotional weight of the characters all feed into each other, creating a story that feels both intimate and expansive at the same time.
The Scald Crow doesn’t rush to explain itself, and it doesn’t offer easy answers. Instead, it builds something slower, more atmospheric, and more emotionally tangled. It begins with something familiar, but gradually becomes something much harder to define—a story where love isn’t simple, survival isn’t guaranteed, and the past never quite stays where it should.
And by the end, it’s clear that this is only the beginning of something much larger—something that hasn’t finished unfolding yet.
https://books2read.com/u/mBkyKy
Hanna Park
I write stories that make you laugh, make you cry, and make you love. Thank you, friends, for reading!
In the beginning, there was an empty page.
I am a writer who lives in Muskoka, Canada, with a husband who snores, a hungry cat, and an almost perfect canine––he’s an adorable little shit.
Social Media Links:
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